SLUMROYAL – Yahya Hussein, translated from the Danish by Jordan Barger

A young man in a blue shirt reads from a black book entitled "Yahya Hassan." He has brown skin and black hair. The background is black and there is a black lamp shining a white light to his left.

INFECTIOUS INSANITY AMONG TODAY’S MEN AND WOMEN
SORROWFREE FARMERS ENTWINE THEMSELVES
WITH FARM CATTLE AND SERFWIVES
NEPOTISM AND INBREEDING GO HAND IN HAND
BEYOND JUST THE IMPERIAL POLICE
RECRUITING OFFICERS AND MARINE MINISTERS AND CORVETTE CAPTAINS
AND FIELD MARSHALS AND FIELD MISTRESSES
REQUISITIONED FROM THE RESERVES
MISERABLE SOULS DIG THEIR OWN GRAVES
ALL FOR A GUN SALUTE AND LULLABY
SLEEP AND HUNGER PREVAIL
THE MONARCH LOSES TRACK OF TIME
AND IS OVERRUN BY HIS OWN COURT
THE MANSIONS AND PALACES ARE PERFORATED
THE VATICAN FALTERS
THE CHINESE EMPEROR’S DAUGHTERS SMUGGLE THEIR VIRGINITY
OUT OF THE EMPEROR’S GROUNDS
ACCOMPANIED BY SILK BUTTERFLIES
THE STRONGEST TREES BREAK FREE FROM THE UNDERGROWTH
SWELLS OF CLOUDS BILLOW SKYWARD
THE SEA SWALLOWS THE CONTINENTS
WHILE BIRDS NAVIGATE THE HORIZON LINE
THE SKIFFS ARE OVERTAKEN BY A STORM
THAT FORCES THEM OFF THEIR SMUGGLING ROUTES
THE QUARTERDECKS ARE CLEARED OF SAILORS
AND LOADED WITH PIGS AND FAIR MAIDENS
THE CHILDREN OF THE NATIVES ARE CAST OUT
AND SKINNED ON THE STERN WITH THE BIRDS AND FISH
THEIR FATHERS GET THEIR HEADS CAVED IN
IF THEY ARE TOO STUPID OR TOO CLEVER
A BLOODBATH SOUNDS BEST AT SEA
HER MAJESTY COULD SHARPEN A KNIFE
AND START SOME SHIT
BREWING POISON AND TRANSMOGRIFYING A LIFE
THE MOATS ARE OVERFLOWING
WITH COLD SWEAT
PESSIMISM REIGNS FROM THE STABLES
ALL THE WAY TO THE HAY BALES
MECHANICAL WARFARE DISRUPTS FRIENDS AND FOES ALIKE
NOW JUST ABOUT ANYONE CAN GO TO WAR ON A WILD HORSE
AND DEFEAT A WHOLE REGIMENT
ALL TO BE STABBED IN THE BACK BY A CHAPLAIN
ANYONE CAN TAKE UP THE CROSS
EVEN JESUS STICKS HIMSELF UP THERE
AND PEACES OUT
ACROSS THE SKY
THE TITANIC WAS PACKED WITH REFUGEES
THE ARISTOCRATS’ CHILDREN FLOATED TOPSIDE
BUT THEIR FORTUNES SANK
THE WEARIEST WIDOWS FOUND ROOM IN THE LIFEBOATS
TRAVELLERS CHECKS AND LAND DEEDS STICKING OUT OF THEIR TITS
PROUD FRIGATES LAY SIDEWAYS ON THE WAVES
LEASE ME A CESSPOOL IN DENMARK
SINCE THAT’S WHERE YOU WANT ME TO LIVE
THE QUEEN HAS YET TO LEAVE HER OWN HEIR
SO MUCH AS A BARREL OF SAND
MERCENARIES AND DAY LABORERS CROSS THE CHANNEL
FEELINGS OF SOLIDARITY AND SUB-ZERO TEMPERATURES
MASQUERADES AND TIRADES
CRYING TRAITORS
ON THE ROYAL STAGE
THIS TIME WE’LL COMPETE ON BEAUTY AND WIT
OR RAW POWER AND PERVERSITY
I SHALL OUTDO ALL MY KIND
AND FORCE
THEM TO LIVE A HUMBLE AND RELIGIOUS LIFE
I’M CAUGHT BETWEEN TWO MEN WITH BAD BREATH
THERE IS A DEVILISH AURA AROUND ME
WHIRRING AND BAROQUE IN THE BACKGROUND
WE DRANK WINE WITH THE SAME URGENCY
THAT SOBER PEOPLE DRINK WATER
UNTIL I FELT PURSUED BY MY OWN PAST
IT WON’T BE THE COMMON MAN’S CENTURY ANYWAY
SO GET OUT OF THE WAY
AND DON’T RUN OUT INTO THE FIELDS
RIGHT IN THE MIDDLE OF HARVEST

76 Years Later: A Documentary Nakba

Syllabus for a Reading Group for Archival Liberation in and beyond Palestine

by J.J. Ghaddar & James Lowry1

In speaking of a “documentary nakba,” we are likewise speaking of the physical, social, political and cultural ills that accrue from a sustained campaign of theft and destruction by Israeli belligerents of records . . . 

João Melo’s poem “Urgent: News of the Death of Hiba Abu Nada” illuminates that moment between the act and the narration of the act, in which forces conspire to distort, deny, and erase; to establish discursive control. As archivists, scholars of the archive, we know that problem well. Historically, the destruction of records, the theft of cultural property, the denigration of languages, memory practices and epistemologies have been key tools of colonialism, and we are seeing those same tactics in use in Palestine today. Accompanying the massacres of Palestinians, the cultural dimension of genocide is also at work: European settlers adopt nativized names, they speak a resurrected language in place of their European tongues, and as the texts listed in this syllabus attest, they steal, obfuscate, and destroy the archives that tell the history of Palestine and its people. 

When Constantin Zurayk used the term “nakba” to describe the Zionist horrors of 1948, he was speaking expansively of a catastrophe that was physical, social, political, and cultural. 2 In speaking of a “documentary nakba,” we are likewise speaking of the physical, social, political and cultural ills that accrue from a sustained campaign of theft and destruction by Israeli belligerents of records, with all their historical and juridical force, and other artifacts of culture with all of their affordances. 

It is with an understanding of the powerful work that culture does in the project of genocide that we offer a syllabus for the study of the Palestinian archive under Zionist aggression. Scholars, students, activists, archivists, and others are meeting to study these texts together between February and May 2024. We study the Palestinian archive to perpetuate it: Zionist ambitions will not be fully realized if the knowledge in these texts—the knowledge of what has been lost, documented in these texts—is repeated from one of us to another.

This is no substitute for action against the bloodshed, but the texts listed here inform such action and impel us to it.

The basis of unity for our reading group is the 2023 Statement on Gaza issued by Librarians and Archivists for Palestine, and endorsed by the Middle East Librarians Association and other organizations. The readings have been selected from the Librarians and Archivists with Palestine archive syllabus, Under Pressure: Representation, Information, and The Archive in Palestine (n.d.) and the annotated bibliography, On the Systematic Destruction, Plunder, Theft and Erasure of Palestinian Archives, Libraries & Cultural Heritage by the Israeli State through its National Archives, Library, Heritage, Military & Educational Systems (January 2, 2024) compiled by Dr. Jamila J. Ghaddar, Mariam Kariam, and Lisa Nussey for the International Council on Archives.  

The texts in our syllabus trace the physical, discursive, and epistemological violence suffered by the Palestinians and their documentary heritage. Taken together, they reveal the relationships between the archive, the land, and the supremacist settler colonial logic that have bloodied our screens since 8th October 2023, and Western hands since the inception of Zionism in 19th century Europe and the founding of the Zionist state in 1948.

With this reading group, we invite you to:

  • read, study, cite and teach these texts
  • if approaching this syllabus without historical or political context, to read the texts in consultation with Salman H. Abu-Sitta’s Atlas of Palestine or alongside Richard Becker’s Palestine, Israel, and the U.S. Empire, or Ilan Pappé’s The Ethnic Cleansing of Palestine.
  • to develop discussion prompts for each text, and share them here
  • and to keep reading, studying, citing and teaching these texts until liberation is achieved.

 

Barricade is working in collaboration with Four Way Review to uplift Palestinian voices and projects in solidarity with the Palestinian cause. View the rest of our Solidarity with Palestine series here and Four Way Review‘s publication here. View more details on the series and our call for contributions here.

An image of the Palestinian flag with a red heart superimposed over the red triangle on the left. The flag reads "solidarity with Palestine." Below the flag are the logos for Four Way Review and Barricade Journal.
Image by @iggdeh.

Announcing the release of Four Way Review’s In Solidarity with the Palestinian People

Barricade is pleased to announce that Four Way Review‘s monthly special, featuring submissions originally published on Ramparts, has been released online!

We’d like to thank everyone who submitted to our call and Four Way Review for collaborating with us. Watch this space in the coming days for more contributions to the series.

Submissions for our Solidarity with Palestine series will continue to be accepted on a rolling basis, with publication resuming in the fall. Send all submissions and inquiries to submissions@barricadejournal.org. See more details here.